Fellows

01 October 2017 - 30 June 2018

Ph.D. Candidate and Lecturer, Department of German Studies, University of Vienna
Cooperative Writing and Constellative Narration. The Joint Text Production of Oskar Negt and Alexander Kluge
01 October 2017 - 30 June 2018

Ph.D. Candidate, Department of History,University of Graz
“Uncanny things from my father’s hand”. Colonial War in Visual Cultures and Family Memories
01 October 2016 - 30 June 2017

Doctoral Candidate, Institute of Slavic Studies, University of Vienna
Translation in Philosophy: Heidegger’s Being and Time in Bosnian/Croatian/Serbian Translations
01 October 2016 - 30 June 2017

Doctoral candidate, Department of East Asian Studies at the University of Vienna
Laboratory Vienna-Tokyo: On the Origins and Development of a Neuropsychiatric "Thought-Style" in Austria and Japan ca. 1900
01 October 2016 - 30 June 2017

Doctoral student in the Department of Modern and Contemporary History at the University of Linz
In the Equilibrium of Cultures: Margaret Mead, Gregory Bateson, and American Anthropology, ca. 1930-1950
01 October 2016 - 30 June 2017

Doctoral candidate, Institute for cultural studies at the Humboldt University in Berlin
Updated information on her research can be found here.
01 October 2016 - 30 June 2017

Doctoral Candidate at the Department of Cultural and Social Anthropology at the University of Vienna
Transcultural Translation: Potentials and Limits within Participative Knowledge Production on Alternative Development in Palestine
01 October 2016 - 30 June 2017

Doctoral candidate at the Academy of Fine Arts in Vienna
Repatriating Klaas and Trooi Pienaar’s Remains to South Africa: An Intervention in Austrian Anthropological Collections
01 October 2016 - 30 June 2017

Doctoral candidate in the Department of Oriental Studies at the University of Vienna
Beyond Orient and Occident: Intercultural Self-Translations from Arabic to English
01 October 2015 - 30 June 2016

Doktorand, Institut für Musikwissenschaft, Universität Wien
Soundtrack der Shoah? – Identitätskonstruktion von Opfern und TäterInnen durch Musik in Filmen über den Nationalsozialismus und die Shoah