Programm

02 Juni 2021

Hermann Brochs Werk ist ohne die österreichische Moderne nicht denkbar. Das Symposium führt die Wirkung des Wiener Kreises um Moritz Schlick auf sein Denken vor Augen und widmet sich der Auseinandersetzung des Autors mit Hugo von Hofmannsthal, Karl Kraus und Elias Canetti.

07 Juni 2021
18:15 - 20:00

Zwischen 1946 und 1949 tauschten Broch und Arendt Essays aus, die inspiriert worden waren durch die UNO-Charta und die „Universal Declaration of Human Rights“. Ihre Kritik wies in entgegengesetzte Richtungen: Broch setzte auf Internationalisierung und Einklagbarkeit, Arendt dagegen wies die Universalisierung zurück und erkannte nur Rechte an, die in Verfassungen von Nationalstaaten garantiert wurden.

10 Juni 2021
16:00 - 20:00

Plants have recently come to the fore in the humanities where the interest in the non-human fostered by ecocriticism, animal studies, and posthumanism has shifted to the vegetal. With increasing urgency, plants, their agency, and their cultural/natural impact are being studied by literary and cultural scholars. In order to radically rethink the status of the vegetal, this workshop investigates the place of plants in philosophy and literature, addressing both specific sites of the vegetal (such as the earth, the garden, or the middle) as well as the role of plants for our understanding of human-nature relations in the age of the so-called anthropocene. Particular emphasis will be placed upon questions of scale from an all-encompassing “planthroposcene” (proposed by anthropologist Natasha Myers) to minuscule parts of plants as a place for reflection in order to conceptualize the specific spatio-theoretical dimensions of the vegetal.

21 Juni 2021
18:15 - 20:00

The „Hörspiel“ [listening play] has always been a hybrid, genre-defying form. In this lecture, Ingeborg Bachmann’s radio work is put in conversation with that of Austrian female poets airing in the 1970s and after—in particular Friederike Mayröcker and Elfriede Jelinek—to trouble the categories that have traditionally informed critical discussion of the genre.